Posters for Ed Fella by CalArts alum and professors
Designed in honor of a lecture by Ed Fella and his last year as full time teacher at CalArts.
From top to bottom, left to right:
via Ed Fella Poster
3333 Poster by Kayla Kern
A series of pieces by Kayla Kern based on erasing memory created with found type from erasers.
via Kayla Kern and Trend List
Audree type system designed Nikola Djurek with Marko Hrastovec for Typonine
Audree is type system with several hundred styles. Choosing between fifteen different serif shapes, two construction models, high or low contrast, and adding stencil or inline effects results in unique, expressive variations of Audree’s letterforms.
Applying different parameters to same basic shapes isn’t new, but Typonine.com’s online application allows you to access each possible permutation and create your own version of Audree. The value isn’t only aesthetic, but also didactic — by experimenting with serifs, construction and contrasts, one can learn how these variables affect the shape of the letter.
Julien typeface by Peter Biľak from Typotheque
Julien is a playful geometric display typeface loosely inspired by the early 20th century avant-garde. It is based on elementary shapes and includes multiple variants of each letter (over 1000 glyphs per style), as well as intelligent OpenType scripts that select glyphs to create the best word shapes.
via Typotheque and Typographica
Animated logo for Miss Kō by GBH
via GBH and Creative Review
Lettering by Roy Gardner for his store Gardner’s Market Sundriesmen on Commercial St in Spitalfields, London
via Spitalfields Life and Casual Optimist
Love Heart prints by House Industries
In English, French, Swedish, Spanish, Japanese and German.
via House Ind.
Selections from the exhibition Monotype — Pencil to Pixel at Metropolitan Wharf, London
via We Love Typography and Type For You
Shelton Slab designed by Hannes von Döhren and released by HVD Fonts
via Design Work Life and My Fonts
Karloff typeface from Typotheque
Karloff explores the idea of irreconcilable differences, how two extremes could be combined into a coherent whole. At the start we looked at the high-contrast Didone typefaces which are considered by many as some of the most beautiful in existence, and the eccentric ‘Italian’, reversed-contrast typeface was designed to deliberately attract readers’ attention by defying their expectations. No other style in the history of typography has provoked such negative reactions as the Italian.
— from Typotheque
Karloff comes in three different contrast types, positive, negative and neutral. It was conceived by Peter Bil’ak, designed by Pieter van Rosmalen, with assistance of Nikola Djurek.
via Typotheque — and a great post on the design process at I Love Typography